The film unfolds a young Chinese migrant’s poignant recollection of her love story within an underground troupe against the shifting landscape of Chinese urban queer allies and activism. In her voice-over narration, she reflects on the intimacy, struggles, and sacrifices once shared with a lost lover. As her private memories intertwine with public narratives of resistance, both she and her community navigate secrecy, repression, survival, looming precarity, and displacement under societal pressures, while confronting the personal cost of existing in a world that demands their silence. By its kaleidoscopic assemblages of dramatic re-enactments, interviews, found footage, news archives and psychoanalytically informed representations of consciousness, the film takes an essayistic, and "queering", approach to sexual identity, power, governmentality in contemporary China, where the ongoing ideological tensions between socialism and neoliberalism shape both public culture and private life.

The film unfolds a young Chinese migrant’s poignant recollection of her love story within an underground troupe against the shifting landscape of Chinese urban queer allies and activism. In her voice-over narration, she reflects on the intimacy, struggles, and sacrifices once shared with a lost lover. As her private memories intertwine with public narratives of resistance, both she and her community navigate secrecy, repression, survival, looming precarity, and displacement under societal pressures, while confronting the personal cost of existing in a world that demands their silence. By its kaleidoscopic assemblages of dramatic re-enactments, interviews, found footage, news archives and psychoanalytically informed representations of consciousness, the film takes an essayistic, and "queering", approach to sexual identity, power, governmentality in contemporary China, where the ongoing ideological tensions between socialism and neoliberalism shape both public culture and private life.

Wataru Naohiko who has the prosecutor general as his father became a young composer and its symphony "saint" invoked the world echoed. But his disciple Uchiyama and his best friend prosecutor Daisuke Toki accused his music as a sesame of pause-only technique, not a truly heart-hungry art.

An urgent phone call pulls a Yale Law student back to his Ohio hometown, where he reflects on three generations of family history and his own future.

Born in the Chinese state of Lu in 551 B.C., Confucius is raised by his mother after his father dies when he is only three. He marries at 19 and enters the service of the local nobility. At 32, he becomes tutor to the Prince of Lu's children, eventually becoming a politician at 51. His career peaks are the roles of Lu's justice minister and eventually prime minister. The land prospers for four years, but Confucius grows disenchanted with court intrigues. For the following 12 years, he wanders the neighboring states, offering advice to their rulers.

Ryuji Hoshikawa (played by Ken'ichi Endô), the leader of the Hoshikawa group and an executive of the Saito group, a branch of the Asahikawa Sekine Association, grew increasingly distrustful of the group's leader, Shigezo Saito (played by Johnny Okura), after being removed from his role as acting head of the Saito group. As a result, he abandoned his parent organization and his family, ultimately accepting the ceremonial sake cup from Tetsuya Kishimori (played by Kentaro Shimizu), the leader of the Kishimori group, which belongs to the massive Kinjokai organization based in the Kanto region.

Frank Allen, a professional speaker who lectures on time management has a perfectly ordered and scheduled life, down to the minute. When his wife sets his clock forward 10 minutes as a joke, his day is thrown off. Deciding that his strictly ordered life has done him little good, he begins to make multiple choice index cards, choosing one at random and doing what is written on the card.

Űrpiknik / Garbage Theory is a dramedy webbed through with the elements of sci-fi, which tells the story of one night spent by an alien lacking self-appreciation and a troubled university student in Budapest. Panna is a lonely university student who is incapable of forming human relationships, until Boy, the self-loathing alien arrives due to her signals sent to space. Boy tells Panna that the planet is doomed and he is only interested in saving his one admired artist, Sarolta Zalatnay. The two strangers form a unit, Panna helps Boy to fulfill his plan, and the alien takes her to the unknown planet in return.Panna and Boy meet unusual characters and extraordinary situations during the adventure lasting a night, which open up the world in front of them; Panna learns to form bonds and Boy finds home in the universe: on planet Earth.

While battling her own demons, Detective Olson is determined to catch a sadistic killer. The only clues left behind are the victim's bloody remains and the sole survivor, a 17 year old boy. While they try to determine why the boy's family was targeted, the boy begins to question human nature, and the evil that could be lurking deep inside us all. Written by

While battling her own demons, Detective Olson is determined to catch a sadistic killer. The only clues left behind are the victim's bloody remains and the sole survivor, a 17 year old boy. While they try to determine why the boy's family was targeted, the boy begins to question human nature, and the evil that could be lurking deep inside us all. Written by